The­atre Pro Rata’s 2024/25 sea­son will include three pro­duc­tions: The Book of Will by Lau­ren Gun­der­son; and Three Sis­ters, by Anton Chekhov in an Eng­lish lan­guage ver­sion by Cordelia Lynn, per­formed simul­ta­ne­ous­ly with No Sis­ters, a Dra­mat­ic Poem of Heart­break & Long­ing, by Aaron Posner.

The Book of Will

by Lau­ren Gunderson

Direct­ed by Carin Bratlie Wethern

Oct 4–19, 2024

With­out William Shake­speare, we wouldn’t have lit­er­ary mas­ter­pieces like Romeo and Juli­et. And with­out Hen­ry Con­dell and John Heminges, we would have lost half of Shakespeare’s plays for­ev­er. After the death of their friend and men­tor, the two actors are deter­mined to com­pile the First Folio and pre­serve the words that shaped their lives. They’ll just have to bor­row, beg, and band togeth­er to get it done. Amidst the noise and col­or of Eliz­a­bethan Lon­don, The Book Of Will finds an unfor­get­table true sto­ry of love, loss, and laugh­ter, and sheds new light on a man you may think you know.

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Three Sisters / No Sisters

Three Sisters

by Anton Chekhov in an Eng­lish lan­guage ver­sion by Cordelia Lynn

Direct­ed by Carin Bratlie Wethern

performed simultaneously with:
No Sisters, A Dramatic Poem of Heartbreak & Longing

by Aaron Posner

Direct­ed by Julie Phillips

May 9–24, 2025

In a house in a provin­cial town, three sis­ters wait, and wait, and wait for their lives to begin. They long to leave their provin­cial lives, but are thwart­ed at every turn by heartache, dis­ap­point­ment, and a mad­den­ing inabil­i­ty to change. Three Sis­ters, writ­ten in 1900 by Russ­ian play­wright Anton Chekhov, cen­ters on a con­flict between real­i­ty and illu­sions. Cordelia Lyn­n’s ver­sion of Chekhov’s Three Sis­ters is fresh, fun­ny, and incred­i­bly time­ly. While Three Sis­ters plays out on the main­stage, half the cast is simul­ta­ne­ous­ly per­form­ing in the lob­by. In that play the char­ac­ters don’t know they are in a play. In this play, they know they’re in two plays! No Sis­ters unpacks the odd­balls, the lon­ers, and the odd­i­ties of Chekhov’s char­ac­ters in a wild­ly fun­ny play about wild­ly unhap­py people. 

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