“There are sixty-nine hundred languages in the world. More than half are expected to die within the next century. In fact, it’s estimated that every two weeks, a language dies. I don’t know about you, but this statistic moves me far more than any statistic on how many animals die or people die in a given time, in a given place. Because when we say a language dies, we are talking about a whole world, a whole way of life. It is the death of imagination, of memory.” - George, The Language Archive George is a man consumed with preserving and documenting the dying languages of far-flung cultures. Closer to home, though, language is failing him. He doesn’t know what to say to his wife, Mary, to keep her from leaving him, and he doesn’t recognize the deep feelings that his lab assistant, Emma, has for him. The Crane Theater $16-$61, Sliding Scale Covid policy Details here. Thursday, April 18, at 7:30pm. Preview *Masks optional for audience at all other performances
“The Language Archive… is a very funny, yet poignant and well-acted stage experience” Promotional Support provided by Alliance Française + Theatre Pro Rata Company Member Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses – It’s 1899 in Paris, and Sarah Bernhardt is a critically acclaimed actress with a daring spirit. She’s triumphed in multiple theatrical roles, and the critics adore her. When she takes on Shakespeare’s Hamlet as Hamlet, she grapples with the text written for this character as she goes through her creative process. She struggles against societal norms of the day as she determinedly persists in creating her own version of Hamlet played by a woman. This is a story of fierce persistence in the face of resistance to progress. The Crane Theater Please note: This production contains flashing light sequences which may affect photosensitive audience members. $16-$61, Sliding Scale Covid policy Details here. Thursday, September 28, at 7:30pm. Preview *Masks optional for audience at all other performances Promotional Support provided by the Trylon Cinema Bring home a piece of the show and enjoy a gorgeous, canvas painted reproduction of a theatrical poster of Sarah Bernhardt by Alphonse Mucha painted by our talented set designer, Sadie Ward. + Theatre Pro Rata Company Member By all accounts Sarah Bernhardt was a legend, and possibly the original influencer. She did outrageous things (slept in a coffin, had numerous exotic pets, wore a hat decorated with a taxidermied bat…) while maintaining the Victorian equivalent of rock star celebrity. Many of the characters in the play are based on real people: Alphonse Mucha (painter of the iconic Nouveau posters we think of when we think of the Divine Sarah), Edmund Rostand (up-and-coming playwright, hard at work on a new play), Maurice (Sarah’s son — also growing up into a playwright and director in his own right)… and of course — Sarah herself. Sarah was an incredible performer, and used her fame and talent to grow her brand and her business. As her power grew, so did her investment of time and money into her status and work, culminating in purchasing a theater of her own; something practically revolutionary in 1897. She created work for herself and for dozens of other artists. And then she did something even more revolutionary in the eyes of the public: she performed the role of Hamlet. Sarah had played pants roles before (Lorenzo de Medici, for example) but this was different. At the dawn of the 20th century Sarah grappled with a persistent societal double standard when it comes to gender, both in her life and onstage. She asked why can’t a woman play a man? Why does the gender of the actor (or other identifying characteristics) matter? After all: it’s a play, and this is pretend. And over 100 years later, we continue to ask the question. -CBWThe Language Archive
Written by Julia Cho // Directed by Nicole Marie Wilder // April 18 — May 4, 2024
Performing At:
2303 Kennedy St. NE #120
Minneapolis, MN 55413Directions
Tickets:
Tickets must be purchased online in advancePerformances Dates:
Friday, April 19, at 7:30 pm. Opening Night
Saturday, April 20, at 7:30pm.
Monday, April 22, at 7:30pm. Pay What You Can Performance
Friday, April 26, at 7:30pm.
Saturday, April 27, at 7:30pm.
Sunday, April 28, at 2:00pm. Matinee; Masks Required*
Monday, April 29, at 7:30 pm. Pay What You Can Performance
Friday, May 3, at 7:30pm.
Saturday, May 4, at 2:00pm. Matinee
Saturday, May 4, at 7:30pm. Closing{ CAST }
GEORGE
Joe SwansonMARY
Megan KimEMMA
Eva GemloALTA
Wini FroelichRESTEN
Nick Menzhuber{ CREW }
DIRECTOR
Nicole Marie WilderSTAGE MANAGER
Clara Costello +SET DESIGNER
MJ Leffler +COSTUME DESIGNER
Mandi JohnsonLIGHTING DESIGNER
Emmet KowlerSOUND DESIGNER
Topher PirklPROPS DESIGNER
Jenny MoellerDIALECT COACH
Gillian ConstableASSISTANT SET DESIGNER
Antonia PerezDIRECTING OBSERVER
Ankita AshritGRAPHIC DESIGN
Kamilla SimsBernhardt/Hamlet
Written by Theresa Rebeck // Directed by Carin Bratlie Wethern // September 29 — October 14, 2023
and then there is Sarah Bernhardt.”Performing At:
2303 Kennedy St. NE #120
Minneapolis, MN 55413Directions
Tickets:
Tickets must be purchased online in advancePerformances Dates:
Friday, September 29, at 7:30 pm. Opening Night
Saturday, September 30, at 7:30pm.
Monday, October 2, at 7:30pm. Pay What You Can Performance
Friday, October 6, at 7:30pm.
Saturday, October 7, at 7:30pm.
Sunday, October 8, at 2:00pm. Matinee; Masks Required*
Monday, October 9, at 7:30 pm. Pay What You Can Performance
Friday, October 13, at 7:30pm.
Saturday, October 14, at 2:00pm. Matinee
Saturday, October 14, at 7:30pm.{ CAST }
SARAH BERNHARDT
Nicole GoedenCONSTANT COQUELIN
Sean DillonEDMOND ROSTAND
Em Rosenberg +ALPHONSE MUCHA
Derek “Duck” WashingtonMAURICE / ENSEMBLE
Ben QualleyLOUIS / ENSEMBLE
Jeremy WilliamsROSAMOND / ENSEMBLE
Ankita AshritLYSETTE
Clara MarshRAOUL
Claire ChenowethFRANCOIS
Christy Johnson{ CREW }
DIRECTOR
Carin Bratlie Wethern +STAGE MANAGER
Clara Costello +SET DESIGNER
Sadie WardCOSTUME DESIGNER
Raphael FerreiraLIGHTING DESIGNER
Emmet KowlerSOUND DESIGNER
Jacob M. Davis +PROPS DESIGNER
Jenny MoellerINTIMACY/FIGHT CHOREOGRAPHER
Annie EnnekingDRAMATURG
Nissa Nordland Morgan +ASSISTANT SET DESIGNER
Sarah SchnieppDirector’s Notes
Theatre Pro Rata’s 2023/24 season will include two productions: Bernhardt/Hamlet by Theresa Rebeck; and The Language Archive by Julia Cho.
by Theresa Rebeck
Performances: September 29 — October 14, 2023
Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses – and then there is Sarah Bernhardt.” In 1899, the international stage celebrity set out to tackle her most ambitious role yet: Hamlet. Theresa Rebeck’s play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt’s career.
Directed by Carin Bratlie Wethern
by Julia Cho
Performances: April 19 — May 4, 2024
George is a man consumed with preserving and documenting the dying languages of far-flung cultures. Closer to home, though, language is failing him. He doesn’t know what to say to his wife, Mary, to keep her from leaving him, and he doesn’t recognize the deep feelings that his lab assistant, Emma, has for him.
Directed by Nicole Marie Wilder
PLAYREADING SERIES
Theatre Pro Rata will also continue its on-going play reading series with two readings during the run of each show. The readings are free and open to the public. Almost all TPR productions since 2008 were initially read and discussed during the play reading series.
PERFORMANCE VENUE
All shows take place at:
The Crane Theatre, 2303 Kennedy St NE, Minneapolis
THEATRE PRO RATA
Since 2001 Pro Rata, Latin for “in proportion,” has produced smart, vivid, varied, and gutsy theater in the Twin Cities. Focusing on the text of the play, the company offers performers and audiences the chance to engage the characters, themes, and language more completely. Ranging from classic dramas to modern black comedies, Theatre Pro Rata produces scripts that bring visceral theatrical experiences to the stage.
Theatre Pro Rata utilizes a unique sliding scale for ticketing, allowing patrons to name their own price from $16 to $61.
]]>Written by Marina Carr and loosely based on Euripides’ tragedy Medea, this is the prophetic tale of Hester Swane, who attempts to come to terms with a lifetime of abandonment in a world where all her loved ones have discarded her.
The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413
Please note: water-based theatrical fog is used in this production.
$16-$61, Sliding Scale
Tickets must be purchased online in advance
Covid policy Details here.
Thursday, March 16, at 7:30pm. Preview
Friday, March 17, at 7:30 pm. Opening Night
Saturday, March 18, at 7:30pm. ASL
Sunday, March 19, at 7:30pm. Audio Description, Masks Required*
Friday, March 24, at 7:30pm.
Saturday, March 25, at 7:30pm.
Sunday, March 26, at 7:30pm. Masks Required*
Monday, March 27, at 7:30 pm. Pay What You Can Performance
Friday, March 31, at 7:30pm.
Saturday, April 1, at 7:30pm.
**CANCELED ** Sunday, April 2, at 3:00pm. Closing Matinee, Masks Required*
*Masks optional for audience at all other performances
Pictured — Emily Grodzik
Photo Credit — Scott Pakudaitis
Graphic Design — Max Lindorfer
+ Theatre Pro Rata Company Member
Following our productions of 44 Plays for 44 Presidents, (2012) and the remounted and updated 45 Plays for 45 Presidents (2016), we have a ‘hot off the press’ and unpublished 46 Plays for America’s First Ladies. The show is 46 short plays (dramas, comedies, even mini-musicals) about each of the First Ladies, from Martha Washington to Jill Biden. It’s simultaneously historical, poignant, educational, silly, and inspiring.
The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413
$16-$61, Sliding Scale
Tickets must be purchased online in advance
MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.
Saturday, Oct 1, at 7:30 pm. Opening Night.
Sunday, Oct 2, at 7:30pm. ASL/ Audio Description
Monday, Oct 3, at 7:30pm. Pay What You Can
Friday, Oct 7, at 7:30pm.
Saturday, Oct 8, at 7:30pm.
Sunday, Oct 9, at 7:30pm.
Friday, Oct 14, at 7:30pm.
Saturday, Oct 15, at 7:30pm.
Sunday, Oct 16, at 3:00pm. Closing Matinee.
Photo Credit:
Pictured: Heather Meyer, Christy Johnson, Sif Oberon, Anjeline Ramirez, Nissa Nordland Morgan
+ Theatre Pro Rata Company Member
In a magical dream of history, Orlando lives from Renaissance England to the twentieth century. His life starts as a charismatic nobleman, a favorite of Queen Elizabeth, and the lover of a Russian princess. Heartbreak and hunger for adventure lead Orlando to Constantinople where a night of debauchery sparks a transformation: Orlando is transformed into a woman and continues her adventures through several more centuries of challenges and passions. Sarah Ruhl’s adaptation of Virginia Woolf’s novel is sexy and surprising, blithe and earnest as it artfully plays with the attributes of gender, sexuality, identity, and freedom.
The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413
Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.
$16-$61, Sliding Scale
Tickets must be purchased online in advance
Click here to purchase tickets
MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.
Saturday, March 12, at 7:30 pm. Opening Night.
Sunday, March 13, at 7:30pm. ASL/Audio Description
Monday, March 14, at 7:30pm. Pay What You Can.
Friday, March 18, at 7:30pm.
Saturday, March 19, at 7:30pm.
Sunday, March 20, at 7:30pm.
Friday, March 25, at 7:30pm.
Saturday, March 26, at 7:30pm.
Sunday, March 27, at 3:00pm. Closing Matinee.
Photo Credit: Scott Pakudaitis
Design: Max Lindorfer
Click Here for the Orlando Play Guide
+ Theatre Pro Rata Company Member
We at Theatre Pro Rata stand with the Ukrainian community and reject Russia’s aggression against Ukraine. We have included Russian folk music and the Russian language to bring the world of Sasha and Orlando to life and hope that this can serve as a reminder that the people of Russia have limited control over their government’s actions. We hope these moments in the play can remind the audience of the complexity of culture and nation states while our present world works towards better supporting refugees and urging the Russian government to choose peace.
If you could invite anyone from history to a dinner party, who would be at your table?
Marlene has just taken over the Top Girls Employment Agency and she is celebrating.
Set within Margaret Thatcher’s Britain of the early ‘80s, Top Girls manifests the evolving complexities of modern feminism and tackles the question of what it takes for women to succeed.
It’s all just a little bit of history repeating…
The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413
Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.
$16-$61, Sliding Scale
Tickets must be purchased online in advance
MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.
Saturday, November 6, at 7:30 pm. Opening Night.
Sunday, November 7, at 7:30pm.
Monday, November 8, at 7:30pm. Pay What You Can.
Friday, November 12, at 7:30pm.
Saturday, November 13, at 7:30pm.
Sunday, November 14, at 7:30pm.
Friday, November 19, at 7:30pm.
Saturday, November 20, at 7:30pm.
Sunday, November 21, at 3:00pm. Closing Matinee.
+ Theatre Pro Rata Company Member
Top Girls is set shortly after Margaret Thatcher had become Britain’s Prime Minister. The playwright, Caryl Churchill, wanted to highlight the irony of a powerful female figure like Thatcher who, instead of working to further shatter the glass ceiling, enforced deeply conservative and anti-feminist ideals. Top Girls manifests the evolving complexities of modern feminism and tackles the question of what it takes for women to succeed.
In the lobby of The Crane Theater, you’ll find a portrait of The Iron Lady herself — completely composed of materials from preloved bras. That’s right, it’s BRART by Sadie Ward! You too can contribute to Sadie’s future work by placing bras in the rainbow bin next to Maggie.
Watch this process video of the Thatcher portrait: https://youtu.be/vQYf7Uyjcm8
Lady Happy, a wealthy heiress, rejects societal pressure to take a husband by building a cloistered utopia for unmarried women. The ladies are quite pleased to live free from the threat of marriage. The lords are quite perturbed to be kept out of the fun. And poor Madam Mediator has her hands full trying to keep the estate solvent. Will Lady Happy’s “principles of pleasure” be able to withstand the scrutiny of Princess Principle or the rising cost of flowers?
Whoever said money can’t buy happiness, didn’t have enough money to try.
This is a rollicking new adaptation by Heather Meyer, creator of Women’s History Month: The Historical Comedybration (with fabulous prizes) and numerous past Fringe shows. The original 1668 play was written by “Mad Madge” aka Margaret Cavendish, the Duchess of Newcastle (or as she called herself: “the thrice noble, illustrious, and excellent princess, the duchess of Newcastle, Margaret Cavendish”), gets a 21st century facelift for a frothy, face-paced, feminist romp.
Wood Lake Nature Center Amphitheater
6710 Lake Shore Dr S
Richfield, MN 55423
35W Exit 10 for Co. Rd 53 (W 66th St.)
East on W 66th St.
Right (South) on Lakeshore Drive S.
Enter the nature center on the right.
Park and then follow signs to amphitheater
www.MinnesotaFringe.org
$10 with a $3 reservation fee
Fringe buttons ($5 in advance: https://www.minnesotafringe.org/fringebuttons)
August 5th — 8th and 11th — 15th
All shows begin at 7:00 PM as part of the Minnesota Fringe Festival
This activity is made possible by the voters of Minnesota through grants from the Minnesota State Arts Board thanks to a legislative appropriation from the arts and cultural heritage fund.
+ Theatre Pro Rata Company Member
Learn more about Wood Lake Nature Center here.
Silent Sky takes place In the early twentieth century, when Henrietta Leavitt and a group of women “computers” pursued astronomical research at the Harvard Observatory under the supervision of a male scientist. Their work proved to be crucial to the development of the field. Henrietta herself had to balance her dedication to her work with the demands of her family, health challenges, and the possibility of personal relationships. The achievements and difficulties of a woman scientist in a challenging historical period combine in this thought-provoking and engaging play. Come listen to the music of the spheres!
Whitney and Elizabeth MacMillan Planetarium
Bell Museum
2088 Larpenteur Ave W
St Paul, MN 55113
The Bell Museum is located at the corner of Larpenteur and Cleveland Avenues on University of Minnesota’s St Paul Campus, directly across the street from Gibbs Farm. The main entrance is fully accessible from the parking lot. A drop off and pick up area is available near the building entrance, before entering through the pay stations.
Tickets:
$30 Adults ($25 Bell members)
$15 Students, ages 10–21 ($12 student members)
The Bell opens :30 min before showtime.
“inspired… a truly immersive theater experience… magical.”
“I know it’s only February, but I think it’s going to be hard for theater the rest of the year to top the experience I just had at Theatre Pro Rata’s production of Lauren Gunderson’s Silent Sky. …glorious, enchanting and transcendent … This is the kind of thing live theater is made for. It’s why it survives. A script this good, in the hands of a director, cast and creative team this inventive, isn’t something you see every day.”
“The idea that all of us are made of stars is not a new one, of course, but Theatre Pro Rata gives that idea extra oomph by staging “Silent Sky” (the title comes from Walt Whitman) in the planetarium at the Bell Museum. Director Carin Bratlie Wethern and her nimble cast adjust smartly to the timing and spatial requirements of a venue that has no backstage or exits, work that pays off handsomely.”
“this production under the starry planetarium dome lifts it up … to an engrossing blend of history, human striving, and stage magic.”
“Silent Sky‘s cast seems to have a blast … and it was a pleasure watching them have so much fun. … This production is all about the planetarium setting, which is perfect for this show.”
+ Theatre Pro Rata Company Member
A super-intelligent cockroach and his feral human ward discover a robotic woman in the ruins of civilization. Together, they must put aside their differences and venture into the belly of the human settlement to find the truth about this new world.
The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413
Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.
Saturday, December 7 at 7:30pm – Opening Night
Sunday, December 8 at 7:30pm – Audio Description and ASL Performance
Monday, December 9 at 7:30pm – Pay What You Can Performance
Friday, December 13 at 7:30pm
Saturday, December 14 at 7:30pm
Sunday, December 15 at 7:30pm
Friday, December 20 at 7:30pm
Saturday, December 21 at 7:30pm
Sunday, December 22 at 3:00pm
This activity is made possible by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.
+ Theatre Pro Rata Company Member