Shows - Theatre Pro Rata https://www.theatreprorata.org Your one stop shop for all things Pro Rata Mon, 22 Apr 2024 15:30:05 +0000 en-US hourly 1 https://wordpress.org/?v=5.4.15 The Language Archive https://www.theatreprorata.org/language-archive/ Thu, 08 Feb 2024 04:02:17 +0000 https://www.theatreprorata.org/?page_id=7572

The Language Archive

Written by Julia Cho // Directed by Nicole Marie Wilder // April 18 — May 4, 2024

 

“There are sixty-nine hundred languages in the world. More than half are expected to die within the next century. In fact, it’s estimated that every two weeks, a language dies. I don’t know about you, but this statistic moves me far more than any statistic on how many animals die or people die in a given time, in a given place. Because when we say a language dies, we are talking about a whole world, a whole way of life. It is the death of imagination, of memory.

- George, The Language Archive 

 

George is a man consumed with preserving and documenting the dying languages of far-flung cultures. Closer to home, though, language is failing him. He doesn’t know what to say to his wife, Mary, to keep her from leaving him, and he doesn’t recognize the deep feelings that his lab assistant, Emma, has for him.

Performing At:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions
Take 35W to the Stinson Blvd exit, go south to the Kennedy Street NE (stoplight) and turn right. The Kennedy Building (where the theater is located) will be on your right, go just past it and turn right onto McKinley Place NE. The entrance to the adjacent parking lot will be on your right, on the north side of the building. Enter the theater through the yellow door that faces the parking lot. Look for the Theatre Pro Rata sign at the bottom of the stairs. Free parking is available on the street, and on either side of the median in the center of the lot.
Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance

Covid policy Details here.

Performances Dates:

Thursday, April 18, at 7:30pm. Preview
Friday, April 19, at 7:30 pm. Opening Night
Saturday, April 20, at 7:30pm.
Monday, April 22, at 7:30pm. Pay What You Can Performance
Friday, April 26, at 7:30pm.
Saturday, April 27, at 7:30pm.
Sunday, April 28, at 2:00pm. Matinee; Masks Required*
Monday, April 29, at 7:30 pm. Pay What You Can Performance
Friday, May 3, at 7:30pm.
Saturday, May 4, at 2:00pm. Matinee
Saturday, May 4, at 7:30pm. Closing

*Masks optional for audience at all other performances

 

“The Language Archive… is a very funny, yet poignant and well-acted stage experience”

Aisle Say — Twin Cities 

 

Promotional Support provided by Alliance Française

 

{ CAST }

GEORGE
Joe Swanson
MARY
Megan Kim
EMMA
Eva Gemlo
ALTA
Wini Froelich
RESTEN
Nick Menzhuber

 

{ CREW }

DIRECTOR
Nicole Marie Wilder
STAGE MANAGER
Clara Costello +
SET DESIGNER
MJ Leffler +
COSTUME DESIGNER
Mandi Johnson
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Topher Pirkl
PROPS DESIGNER
Jenny Moeller
DIALECT COACH
Gillian Constable
ASSISTANT SET DESIGNER
Antonia Perez
DIRECTING OBSERVER
Ankita Ashrit
GRAPHIC DESIGN
Kamilla Sims

+ Theatre Pro Rata Company Member

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Bernhardt/Hamlet https://www.theatreprorata.org/bernhardthamlet/ Sat, 08 Jul 2023 23:33:46 +0000 https://www.theatreprorata.org/?page_id=7479

Bernhardt/Hamlet

Written by Theresa Rebeck // Directed by Carin Bratlie Wethern // September 29 — October 14, 2023

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses –
and then there is Sarah Bernhardt.”

It’s 1899 in Paris, and Sarah Bernhardt is a critically acclaimed actress with a daring spirit.  She’s triumphed in multiple theatrical roles, and the critics adore her.  When she takes on Shakespeare’s Hamlet as Hamlet, she grapples with the text written for this character as she goes through her creative process.  She struggles against societal norms of the day as she determinedly persists in creating her own version of Hamlet played by a woman.  This is a story of fierce persistence in the face of resistance to progress.

Performing At:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions
Take 35W to the Stinson Blvd exit, go south to the Kennedy Street NE (stoplight) and turn right. The Kennedy Building (where the theater is located) will be on your right, go just past it and turn right onto McKinley Place NE. The entrance to the adjacent parking lot will be on your right, on the north side of the building. Enter the theater through the yellow door that faces the parking lot. Look for the Theatre Pro Rata sign at the bottom of the stairs. Free parking is available on the street, and on either side of the median in the center of the lot.

Please note: This production contains flashing light sequences which may affect photosensitive audience members.

Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance

Covid policy Details here.

Performances Dates:

Thursday, September 28, at 7:30pm. Preview
Friday, September 29, at 7:30 pm. Opening Night
Saturday, September 30, at 7:30pm.
Monday, October 2, at 7:30pm. Pay What You Can Performance
Friday, October 6, at 7:30pm.
Saturday, October 7, at 7:30pm.
Sunday, October 8, at 2:00pm. Matinee; Masks Required*
Monday, October 9, at 7:30 pm. Pay What You Can Performance
Friday, October 13, at 7:30pm.
Saturday, October 14, at 2:00pm. Matinee
Saturday, October 14, at 7:30pm.

*Masks optional for audience at all other performances

 

Promotional Support provided by the Trylon Cinema 

 

Bring home a piece of the show and enjoy a gorgeous, canvas painted reproduction of a theatrical poster of Sarah Bernhardt by Alphonse Mucha painted by our talented set designer, Sadie Ward.

 

{ CAST }

SARAH BERNHARDT
Nicole Goeden
CONSTANT COQUELIN
Sean Dillon
EDMOND ROSTAND
Em Rosenberg +
ALPHONSE MUCHA
Derek “Duck” Washington
MAURICE / ENSEMBLE
Ben Qualley
LOUIS / ENSEMBLE
Jeremy Williams
ROSAMOND / ENSEMBLE
Ankita Ashrit
LYSETTE
Clara Marsh
RAOUL
Claire Chenoweth
FRANCOIS
Christy Johnson

 

{ CREW }

DIRECTOR
Carin Bratlie Wethern +
STAGE MANAGER
Clara Costello +
SET DESIGNER
Sadie Ward
COSTUME DESIGNER
Raphael Ferreira
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Jacob M. Davis +
PROPS DESIGNER
Jenny Moeller
INTIMACY/FIGHT CHOREOGRAPHER
Annie Enneking
DRAMATURG
Nissa Nordland Morgan +
ASSISTANT SET DESIGNER
Sarah Schniepp

+ Theatre Pro Rata Company Member

 

Director’s Notes

By all accounts Sarah Bernhardt was a legend, and possibly the original influencer. She did outrageous things (slept in a coffin, had numerous exotic pets, wore a hat decorated with a taxidermied bat…) while maintaining the Victorian equivalent of rock star celebrity. Many of the characters in the play are based on real people: Alphonse Mucha (painter of the iconic Nouveau posters we think of when we think of the Divine Sarah), Edmund Rostand (up-and-coming playwright, hard at work on a new play), Maurice (Sarah’s son — also growing up into a playwright and director in his own right)… and of course — Sarah herself. 

 

Sarah was an incredible performer, and used her fame and talent to grow her brand and her business. As her power grew, so did her investment of time and money into her status and work, culminating in purchasing a theater of her own; something practically revolutionary in 1897. She created work for herself and for dozens of other artists. And then she did something even more revolutionary in the eyes of the public: she performed the role of Hamlet. Sarah had played pants roles before (Lorenzo de Medici, for example) but this was different. At the dawn of the 20th century Sarah grappled with a persistent societal double standard when it comes to gender, both in her life and onstage. She asked why can’t a woman play a man? Why does the gender of the actor (or other identifying characteristics) matter? After all: it’s a play, and this is pretend. And over 100 years later, we continue to ask the question.

-CBW

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Season Announcement 2023–24 https://www.theatreprorata.org/season-announcement-2023-24/ Fri, 19 May 2023 14:05:21 +0000 https://www.theatreprorata.org/?p=7464 Theatre Pro Rata season announcement 2023–2024

Theatre Pro Rata’s 2023/24 season will include two productions: Bernhardt/Hamlet by Theresa Rebeck; and The Language Archive by Julia Cho.

Bernhardt/Hamlet

by Theresa Rebeck
Performances: September 29 — October 14, 2023

Mark Twain wrote: “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses – and then there is Sarah Bernhardt.” In 1899, the international stage celebrity set out to tackle her most ambitious role yet: Hamlet. Theresa Rebeck’s play rollicks with high comedy and human drama, set against the lavish Shakespearean production that could make or break Bernhardt’s career.

Directed by Carin Bratlie Wethern


The Language Archive

by Julia Cho
Performances: April 19 — May 4, 2024

George is a man consumed with preserving and documenting the dying languages of far-flung cultures. Closer to home, though, language is failing him. He doesn’t know what to say to his wife, Mary, to keep her from leaving him, and he doesn’t recognize the deep feelings that his lab assistant, Emma, has for him.

Directed by Nicole Marie Wilder


PLAYREADING SERIES

Theatre Pro Rata will also continue its on-going play reading series with two readings during the run of each show. The readings are free and open to the public. Almost all TPR productions since 2008 were initially read and discussed during the play reading series.

PERFORMANCE VENUE

All shows take place at:

The Crane Theatre, 2303 Kennedy St NE, Minneapolis

www.cranetheatre.com

THEATRE PRO RATA

Since 2001 Pro Rata, Latin for “in proportion,” has produced smart, vivid, varied, and gutsy theater in the Twin Cities. Focusing on the text of the play, the company offers performers and audiences the chance to engage the characters, themes, and language more completely. Ranging from classic dramas to modern black comedies, Theatre Pro Rata produces scripts that bring visceral theatrical experiences to the stage. 

Theatre Pro Rata utilizes a unique sliding scale for ticketing, allowing patrons to name their own price from $16 to $61.

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By the Bog of Cats https://www.theatreprorata.org/bogofcats/ Fri, 30 Dec 2022 16:23:24 +0000 https://www.theatreprorata.org/?page_id=7367

By the Bog of Cats

Written by Marina Carr // Directed by Amber Bjork // March 17-April 2, 2023

Written by Marina Carr and loosely based on Euripides’ tragedy Medea, this is the prophetic tale of Hester Swane, who attempts to come to terms with a lifetime of abandonment in a world where all her loved ones have discarded her. 

 

Performing At:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions
Take 35W to the Stinson Blvd exit, go south to the Kennedy Street NE (stoplight) and turn right. The Kennedy Building (where the theater is located) will be on your right, go just past it and turn right onto McKinley Place NE. The entrance to the adjacent parking lot will be on your right, on the north side of the building. Enter the theater through the yellow door that faces the parking lot. Look for the Theatre Pro Rata sign at the bottom of the stairs.

Please note: water-based theatrical fog is used in this production.

Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance

Covid policy Details here.

Performances Dates:

Thursday, March 16, at 7:30pm. Preview
Friday, March 17, at 7:30 pm. Opening Night
Saturday, March 18, at 7:30pm. ASL
Sunday, March 19, at 7:30pm. Audio Description, Masks Required*
Friday, March 24, at 7:30pm.
Saturday, March 25, at 7:30pm.
Sunday, March 26, at 7:30pm. Masks Required*
Monday, March 27, at 7:30 pm. Pay What You Can Performance
Friday, March 31, at 7:30pm.
Saturday, April 1, at 7:30pm.
**CANCELED ** Sunday, April 2, at 3:00pm. Closing Matinee, Masks Required*

*Masks optional for audience at all other performances

PLEASE NOTE:
This production uses water-based theatrical haze throughout the performance
This activity is made possible by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.

Pictured — Emily Grodzik
Photo Credit — Scott Pakudaitis
Graphic Design — Max Lindorfer

{ CAST }

HESTER
Emily Grodzik
CARTHAGE
Raúl Arámbula
JOSIE
Kayla Dvorak Feld
MRS. K
Jean Wolff
CAROLINE
Nissa Nordland Morgan +
XAVIER
Sean Dillon
JOSEPH
Hawken Paul
MONICA
Lynda Dahl +
CATWOMAN
Meri Golden
FATHER WILLOW
Andrew Troth +
GHOST FANCIER / WAITER
Jonathan Feld

 

{ CREW }

DIRECTOR
Amber Bjork
STAGE MANAGER
Clara Costello +
SET DESIGNER
MJ Leffler +
COSTUME DESIGNER
Mandi Johnson
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Jacob M. Davis +
PROPS DESIGNER
Madeline Achen
DIALECT COACH
Keely Wolter
FIGHT CHOREOGRAPHER
Carin Bratlie Wethern +
ASSISTANT SET DESIGNER
Antonia Perez
DIRECTING OBSERVER
Hannah Leatherbarrow

+ Theatre Pro Rata Company Member

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46 Plays for America’s First Ladies https://www.theatreprorata.org/46-plays/ Wed, 24 Aug 2022 01:22:21 +0000 https://www.theatreprorata.org/?page_id=7286

46 Plays for America’s First Ladies

Written by Genevra Gallo-Bayiates, Sharon Greene, Chloe Johnston, Bilal Dardai, and Andy Bayiates
directed by Shanan Custer // October 1–16, 2022

Following our productions of 44 Plays for 44 Presidents, (2012) and the remounted and updated 45 Plays for 45 Presidents (2016), we have a ‘hot off the press’ and unpublished 46 Plays for America’s First Ladies. The show is 46 short plays (dramas, comedies, even mini-musicals) about each of the First Ladies, from Martha Washington to Jill Biden. It’s simultaneously historical, poignant, educational, silly, and inspiring.

Performing At:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions
Take 35W to the Stinson Blvd exit, go south to the Kennedy Street NE (stoplight) and turn right. The Kennedy Building (where the theater is located) will be on your right, go just past it and turn right onto McKinley Place NE. The entrance to the adjacent parking lot will be on your right, on the north side of the building. Enter the theater through the yellow door that faces the parking lot. Look for the Theatre Pro Rata sign at the bottom of the stairs.

 

Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance
MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.

Performances Dates:

Saturday, Oct 1, at 7:30 pm. Opening Night.
Sunday, Oct 2, at 7:30pm. ASL/ Audio Description
Monday, Oct 3, at 7:30pm. Pay What You Can
Friday, Oct 7, at 7:30pm.
Saturday, Oct 8, at 7:30pm.
Sunday, Oct 9, at 7:30pm.
Friday, Oct 14, at 7:30pm.
Saturday, Oct 15, at 7:30pm.
Sunday, Oct 16, at 3:00pm. Closing Matinee.

This activity is made possible by the voters of Minnesota through grants from the Minnesota State Arts Board thanks to a legislative appropriation from the arts and cultural heritage fund.

Photo Credit:
Pictured: Heather Meyer, Christy Johnson, Sif Oberon, Anjeline Ramirez, Nissa Nordland Morgan

 

{ CAST }

Christy Johnson
Heather Meyer

Nissa Nordland Morgan +
Sif Oberon

Anjeline Ramirez
Emily Rosenberg (Understudy) +


{ CREW }

DIRECTOR
Shanan Custer
STAGE MANAGER
Clara Costello +
VIDEO DESIGNER
Todd Edwards
COSTUME DESIGNER
Mandi Johnson
LIGHTING DESIGNER
Alex Clark
SOUND DESIGNER
Jacob M. Davis +
PROPS DESIGNER
Madeline Achen
MUSIC DIRECTOR
Rihannon Fiskraditz
CHOREOGRAPHER
Erinn Leibhard
ASSISTANT DIRECTOR
Julie K. Phillips
ASSOCIATE LIGHTING DESIGNER
Ashley Stock
ASL INTERPRETATION
Rebecca Rick
Logan Yakesh
AUDIO DESCRIPTION
Michelle Storm

+ Theatre Pro Rata Company Member

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Orlando https://www.theatreprorata.org/orlando/ Thu, 10 Feb 2022 23:49:49 +0000 https://www.theatreprorata.org/?page_id=7157

Orlando

by Virginia Woolf / adapted by Sarah Ruhl / Directed by Carin Bratlie Wethern / March 12–27, 2022
The self, completely altered

In a magical dream of history, Orlando lives from Renaissance England to the twentieth century. His life starts as a charismatic nobleman, a favorite of Queen Elizabeth, and the lover of a Russian princess. Heartbreak and hunger for adventure lead Orlando to Constantinople where a night of debauchery sparks a transformation: Orlando is transformed into a woman and continues her adventures through several more centuries of challenges and passions. Sarah Ruhl’s adaptation of Virginia Woolf’s novel is sexy and surprising, blithe and earnest as it artfully plays with the attributes of gender, sexuality, identity, and freedom.

Performing At:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions

Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.

Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance
Click here to purchase tickets

MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.

Performances Dates:

Saturday, March 12, at 7:30 pm. Opening Night.
Sunday, March 13, at 7:30pm. ASL/Audio Description
Monday, March 14, at 7:30pm. Pay What You Can.
Friday, March 18, at 7:30pm.
Saturday, March 19, at 7:30pm.
Sunday, March 20, at 7:30pm.
Friday, March 25, at 7:30pm.
Saturday, March 26, at 7:30pm.
Sunday, March 27, at 3:00pm. Closing Matinee.

This activity is made possible by funds from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.
 

Photo Credit: Scott Pakudaitis

Design: Max Lindorfer

 

{ CAST }

ORLANDO
Courtney Stirn
CHORUS
Ankita Ashrit
Amber Bjork
Rachel Flynn +
Ninchai Nok-Chiclana
Nissa Nordland Morgan +
Michael Quadrozzi +
Emily Rosenberg
Andrew Troth +

 

{ CREW }

DIRECTOR
Carin Bratlie Wethern +
STAGE MANAGER
Clara Costello +
SET DESIGNER
MJ Leffler
COSTUME DESIGNER
Mandi Johnson
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Jacob M. Davis +
PROPS DESIGNER
Rachel Krieger
GENDER CONSULTANT
Shira Gitlin
DRAMATURG
Gina Musto
DIALECT COACH
Keely Wolter
ASL INTERPRETERS
Logan Yakesh, Rebecca Rick
AUDIO DESCRIPTION
Michelle Storm
PRESS PHOTO
Scott Pakudaitis
GRAPHIC DESIGN
Max Lindorfer

+ Theatre Pro Rata Company Member

 

We at Theatre Pro Rata stand with the Ukrainian community and reject Russia’s aggression against Ukraine. We have included Russian folk music and the Russian language to bring the world of Sasha and Orlando to life and hope that this can serve as a reminder that the people of Russia have limited control over their government’s actions. We hope these moments in the play can remind the audience of the complexity of culture and nation states while our present world works towards better supporting refugees and urging the Russian government to choose peace.

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Top Girls https://www.theatreprorata.org/top-girls/ Thu, 30 Sep 2021 01:04:22 +0000 https://www.theatreprorata.org/?page_id=7056

Top Girls

by Caryl Churchill / Directed by Carin Bratlie Wethern / November 6–21, 2021
They’ve got what it takes.

If you could invite anyone from history to a dinner party, who would be at your table?

Marlene has just taken over the Top Girls Employment Agency and she is celebrating.
Set within Margaret Thatcher’s Britain of the early ‘80s, Top Girls manifests the evolving complexities of modern feminism and tackles the question of what it takes for women to succeed.

It’s all just a little bit of history repeating…

Performing at:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions

Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.

Tickets:

$16-$61, Sliding Scale
Tickets must be purchased online in advance

MASKS REQUIRED FOR ALL IN ATTENDANCE
In addition, proof of COVID-19 vaccination ‑OR- a recent negative test are required for entry.
Details here.

Performances Dates:

Saturday, November 6, at 7:30 pm. Opening Night.
Sunday, November 7, at 7:30pm.
Monday, November 8, at 7:30pm. Pay What You Can.
Friday, November 12, at 7:30pm.
Saturday, November 13, at 7:30pm.
Sunday, November 14, at 7:30pm.
Friday, November 19, at 7:30pm.
Saturday, November 20, at 7:30pm.
Sunday, November 21, at 3:00pm. Closing Matinee.

SPECIAL THANKS
Theatre in the Round
Laura Leffler
Gaea Dill — D’Ascoli
Emma Murphy
Antonia Perez

{ CAST }

MARLENE
Maggie Cramer
WAITRESS / KIT / SHONA
Ninchai Nok-Chiclana
ISABELLA BIRD / JOYCE / MRS KIDD
Kelsey Cramer
LADY NIJO / WIN
Megan Kim
DULL GRET / ANGIE
Emily Rosenberg
POPE JOAN / LOUISE
Sarah Broude
PATIENT GRISELDA / NELL / JEANINE
Nissa Nordland Morgan +

 

{ CREW }

DIRECTOR
Carin Bratlie Wethern +
STAGE MANAGER
Clara Costello +
SET DESIGNER
MJ Leffler
COSTUME DESIGNER
Eleanor Schanilec
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Charlotte Deranek
PROPS DESIGNER
Rachel Krieger
DIALECT COACH
Keely Wolter

+ Theatre Pro Rata Company Member

Top Girls is set shortly after Margaret Thatcher had become Britain’s Prime Minister. The playwright, Caryl Churchill, wanted to highlight the irony of a powerful female figure like Thatcher who, instead of working to further shatter the glass ceiling, enforced deeply conservative and anti-feminist ideals. Top Girls manifests the evolving complexities of modern feminism and tackles the question of what it takes for women to succeed.

In the lobby of The Crane Theater, you’ll find a portrait of The Iron Lady herself — completely composed of materials from preloved bras. That’s right, it’s BRART by Sadie Ward! You too can contribute to Sadie’s future work by placing bras in the rainbow bin next to Maggie.

Watch this process video of the Thatcher portrait: https://youtu.be/vQYf7Uyjcm8

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The Convent of Pleasure https://www.theatreprorata.org/the-convent-of-pleasure/ Sun, 27 Jun 2021 20:33:29 +0000 https://www.theatreprorata.org/?page_id=6913

The Convent of Pleasure

Adapted by Heather Meyer
From the 1668 play by Margaret Cavendish
D
irected by Nicole Marie Wilder
August 5 — 15, 2021
Unholy Matrimony

Lady Happy, a wealthy heiress, rejects societal pressure to take a husband by building a cloistered utopia for unmarried women. The ladies are quite pleased to live free from the threat of marriage. The lords are quite perturbed to be kept out of the fun. And poor Madam Mediator has her hands full trying to keep the estate solvent. Will Lady Happy’s “principles of pleasure” be able to withstand the scrutiny of Princess Principle or the rising cost of flowers? 

Whoever said money can’t buy happiness, didn’t have enough money to try. 

 

This is a rollicking new adaptation by Heather Meyer, creator of Women’s History Month: The Historical Comedybration (with fabulous prizes) and numerous past Fringe shows. The original 1668 play was written by “Mad Madge” aka Margaret Cavendish, the Duchess of Newcastle (or as she called herself: “the thrice noble, illustrious, and excellent princess, the duchess of Newcastle, Margaret Cavendish”), gets a 21st century facelift for a frothy, face-paced, feminist romp.

Part of the Minnesota Fringe Festival

Performing at:

Wood Lake Nature Center Amphitheater
6710 Lake Shore Dr S
Richfield, MN 55423

Directions

35W Exit 10 for Co. Rd 53 (W 66th St.)
East on W 66th St.
Right (South) on Lakeshore Drive S.
Enter the nature center on the right.
Park and then follow signs to amphitheater

Tickets:
Must be purchased in advance

www.MinnesotaFringe.org
$10 with a $3 reservation fee
Fringe buttons ($5 in advance: https://www.minnesotafringe.org/fringebuttons)

Performances Dates:

August 5th — 8th and 11th — 15th

All shows begin at 7:00 PM as part of the Minnesota Fringe Festival

 


 

 

 

 

 

 

 

 

This activity is made possible by the voters of Minnesota through grants from the Minnesota State Arts Board thanks to a legislative appropriation from the arts and cultural heritage fund.

{ CAST }


Pictured: Megan Kim, Boo Segersin

Photo: Charles Gorrill

Design: Max Lindorfer

LADY HAPPY
Boo Segersin
MADAM MEDIATOR
Meri Golden
PRINCESS PRINCIPLE
Megan Kim
LORD SOMEWHAT
Kelsey Laurel Cramer
LORD SORTOF
Nissa Nordland Morgan +
LORD SOSO
Taj Ruler
LADY AMEND
Kayla Dvorak
LADY AMUSE
Lynda Dahl
LADY AMOROUS
Ankita Ashrit

 

{ CREW }

DIRECTOR
Nicole Marie Wilder
STAGE MANAGER
Clara Costello +
COSTUME DESIGNER
Mandi Johnson
PROPS DESIGNER
Madeline Achen

+ Theatre Pro Rata Company Member

 

10 Tips for seeing The Convent of Pleasure:
  1. The Amphitheater is just to the left of the Wood Lake Nature Center, and an outdoor venue (under a lovely tree canopy): BYO Bug Spray.
  2. The parking is free!
  3. The building is closed after hours, but the park is open until 11:00pm. Note the porta-potty to the right as you enter the park.
  4. The porta-potty, the park, and the amphitheater are all Accessible.
  5. The seating is wooden benches without backs. We recommend bringing a stadium cushion for our 90 minute show.
  6. The nearest restaurant is Pizza Luce, and within walking distance just north on 66th St. 
  7. The 515 bus line also runs along 66th St.
  8. We will perform if there’s a drizzle, but will cancel for unsafe conditions (Air Quality Alert, Excessive Heat Warning, or Severe Weather Warning).
  9. Feel free to bring a rain poncho, but keep umbrellas closed: we want all audience members to leave with the same number of eyes they arrived with.
  10. The park has lovely walking trails… feel free to come early and explore!

Learn more about Wood Lake Nature Center here.

Insider knowledge for The Convent of Pleasure:
  • Most of the words are Heather’s, but the poetry you will hear is 100% Margaret. Heather left those verses as is.
  • Margaret Cavendish wasn’t the only female classical playwright. There was also Hrosvitha (c.930‑c.1002), Abbess Hildegard of Bingen (1098–1179), Elizabeth Cary (1585–1639), and Aphra Behn (1640–1689).
  • This cast and crew is fully vaccinated against COVID-19! This is a kissing play, and everyone is keeping each other safe.

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Silent Sky https://www.theatreprorata.org/silent-sky/ Sat, 22 Feb 2020 18:50:30 +0000 https://www.theatreprorata.org/?page_id=6194

Silent Sky

by Lauren Gunderson / Directed by Carin Bratlie Wethern / February 22 – March 8, 2020
Make your dreams heard.

Silent Sky takes place In the early twentieth century, when Henrietta Leavitt and a group of women “computers” pursued astronomical research at the Harvard Observatory under the supervision of a male scientist. Their work proved to be crucial to the development of the field. Henrietta herself had to balance her dedication to her work with the demands of her family, health challenges, and the possibility of personal relationships. The achievements and difficulties of a woman scientist in a challenging historical period combine in this thought-provoking and engaging play. Come listen to the music of the spheres!

Performing at:

Whitney and Elizabeth MacMillan Planetarium
Bell Museum
2088 Larpenteur Ave W
St Paul, MN 55113

Directions

The Bell Museum is located at the corner of Larpenteur and Cleveland Avenues on University of Minnesota’s St Paul Campus, directly across the street from Gibbs Farm. The main entrance is fully accessible from the parking lot. A drop off and pick up area is available near the building entrance, before entering through the pay stations.

Order tickets here

Bell Museum Box Office

Tickets:
$30 Adults ($25 Bell members)
$15 Students, ages 10–21 ($12 student members)

The Bell opens :30 min before showtime.

Press

“inspired… a truly immersive theater experience… magical.”

Cherry and Spoon

 

“I know it’s only February, but I think it’s going to be hard for theater the rest of the year to top the experience I just had at Theatre Pro Rata’s production of Lauren Gunderson’s Silent Sky.  …glorious, enchanting and transcendent …  This is the kind of thing live theater is made for.  It’s why it survives.  A script this good, in the hands of a director, cast and creative team this inventive, isn’t something you see every day.”

– Single White Fringe Geek

 

“The idea that all of us are made of stars is not a new one, of course, but Theatre Pro Rata gives that idea extra oomph by staging “Silent Sky” (the title comes from Walt Whitman) in the planetarium at the Bell Museum. Director Carin Bratlie Wethern and her nimble cast adjust smartly to the timing and spatial requirements of a venue that has no backstage or exits, work that pays off handsomely.”

Star Tribune

 

“this production under the starry planetarium dome lifts it up … to an engrossing blend of history, human striving, and stage magic.”

– Talkin’ Broadway

 

“Silent Sky‘s cast seems to have a blast … and it was a pleasure watching them have so much fun. … This production is all about the planetarium setting, which is perfect for this show.”

– Compendium

{ CAST }


Pictured: Victoria Pyan
Photo: Charles Gorrill
Design: Max Lindorfer

HENRIETTA LEAVITT
Victoria Pyan
MARGARET LEAVITT
Danielle Krivinchuk
PETER SHAW
Carl Swanson
ANNIE CANNON
Amber Bjork
WILLIAMINA FLEMING
Sarah Broude

 

{ CREW }

DIRECTOR
Carin Bratlie Wethern +
STAGE MANAGER
Clara Costello +
COSTUME DESIGNER
Samantha Kuhn Staneart +
LIGHTING DESIGNER
Julia Carlis
SOUND DESIGNER
Jacob M. Davis +
PROPS DESIGNER
Jenny Moeller
DIALECT COACH
Keely Wolter
PROPS DESIGN ASSISTANT
Ursula Bowden
BELL MUSEUM PLANETARIUM PRODUCERS
Sally Brummel
Sarah Komperud
Thaddeus LaCoursiere

+ Theatre Pro Rata Company Member

 

EXTRAS:

Silent Sky Play Guide

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The Ever and After https://www.theatreprorata.org/the-ever-and-after/ Sat, 07 Dec 2019 20:41:33 +0000 https://www.theatreprorata.org/?page_id=6332

The Ever and After

by Rachel Teagle / Directed by Sofia Lindgren Galloway / December 7–22, 2019
A cockroach and an Amazon walk into an apocalypse…

A super-intelligent cockroach and his feral human ward discover a robotic woman in the ruins of civilization. Together, they must put aside their differences and venture into the belly of the human settlement to find the truth about this new world.

Performing at:

The Crane Theater
2303 Kennedy St. NE #120
Minneapolis, MN 55413

Directions

Take 35W to the Stinson Blvd exit, go south to Summer Street NE and turn right. The Kennedy Building (where the theater is located) will be on your left, go just past it and turn left onto McKinley Place NE. The entrance to the parking lot will be on your left, just north of the building. Enter the theater using yellow the door that faces the parking lot.

Performance Dates

Saturday, December 7 at 7:30pm – Opening Night
Sunday, December 8 at 7:30pm – Audio Description and ASL Performance
Monday, December 9 at 7:30pm – Pay What You Can Performance
Friday, December 13 at 7:30pm
Saturday, December 14 at 7:30pm
Sunday, December 15 at 7:30pm
Friday, December 20 at 7:30pm
Saturday, December 21 at 7:30pm
Sunday, December 22 at 3:00pm

 

This activity is made possible by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.

{ CAST }


Pictured: Doc Woods, Bethany McHugh
Photo: Charles Gorrill
Design: Max Lindorfer

SHEELAR
Bethany McHugh
THURSTON
Doc Woods
IDA
Ankita Ashrit
PRESIDENT
Travis Bedard
ROGER
Grant Hooyer

 

{ CREW }

DIRECTOR
Sofia Lindgren Galloway
STAGE MANAGER
Clara Costello +
COSTUME DESIGNER
Samantha Kuhn Staneart +
LIGHTING DESIGNER
Emmet Kowler
SOUND DESIGNER
Topher Pirkl
PROPS DESIGNER
Jenny Moeller
FIGHT CHOREOGRAPHER
Annie Enneking
PLAYWIGHT
Rachel Teagle

+ Theatre Pro Rata Company Member

 

EXTRAS:

The Ever and After Play Guide

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